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Mikenc342 (January 1, 1970 at 12:59 am)
If you played C jazz minor over a B7 then you would effectively be playing a B altered scale (the seventh mode of the jazz meloc minor). This is interesting because as well as outlining the 1, 3, 5 and 7 of a dominant 7, it also implies all the alterations of the 5th and 9th as well.
newriko2 (January 1, 1970 at 12:59 am)
man, this cat KNOWS his stuff.
24may1988 (January 1, 1970 at 12:59 am)
the way he talks so slowly truly infuriates me.
andyaaaaaaa (January 1, 1970 at 12:59 am)
woow man this guy is completly high!!!!
lagatuda (January 1, 1970 at 12:59 am)
Awesome player - thank you Larry for sharing some of your insights!
bobgure (January 1, 1970 at 12:59 am)
What specific melodic minor scale(root note please!) would be played on top of the B7 as it resolves to I (E maj).....Wait a minute...I get it. The C jazz minor played over B7 will cover the 3rd , 7th and flat 9 contained in the B7 dominant chord.Sounds better in arpeggio. Is this correct?
bobgure (January 1, 1970 at 12:59 am)
Question re: C Major/minor chord demonstrated here. Doesn't the inclusion of the "D" note (Eb A D G B) make this chord a major/minor add 9 ?A beginner's question...Thanks for some clarification.
EyeMPabo (January 1, 1970 at 12:59 am)
Larry is more than the penultimate, he's the antepenultimate. He's badass, damn man.
sidhrtha (January 1, 1970 at 12:59 am)
larry is the pentultimate. the comments of boring etc, just reflect on the listeners inexperienced ears. if you want "GLORIA" get the fuck outta here!
imafunnyguynot (January 1, 1970 at 12:59 am)
That guy makes me very tired. |
